Shenmue

The Good
Shenmue is a difficult game to label. It is part RPG, part fighting game, part adventure, while the story is a mystery, an action/adventure, and foreign. This game also showcased the true power of the Sega Dreamcast, and is further proof that it was an excellent system that died too soon.

Ryo Hazuki’s life is torn apart when after returning home from school one day, he finds that there are men in suits led by a man in Chinese silk, questioning his father. The man wants to know where a mirror is. When he gets it he asks about a man Ryo’s father killed. Then using a style of martial arts that has not been seen in centuries, he swiftly kills him. Thus begins Ryo’s quest for vengeance, a much bigger fate awaits him, will he succeed? Well that is really up to you. Needless to say the plot in Shenmue is one of the finest ever written for a videogame. Better than most of the stuff Hollywood turns out. It is very enveloping as well. Every time you un earth a clue new questions emerge. Shenmue is one of those few games that had me addicted, even and injured hand could not stop me from playing.

The Graphics are amazing, to think that a Dreamcast game that only came out a year after the systems launch could look this good. It makes we wonder what Dreamcast games could have looked like if the system has not died so early on. Everything in Shenmue looks good, and almost all the items in the game can be manipulated. The buildings in Yokosuka as well as the characters are incredibly realistic looking. The faces of the characters are particularly well detailed.

The Sound and Music is strong as well. The score contains lots of tracks, all varying, from pop, to rock, to R&B, to orchestral. Even classic videogame music! The voices are good, the main characters are very good. But the occasional NPC sounds dumb, but in a way that is more realistic. In real life not every one sound like a voice actor. This was one of the first games to be fully voiced.

The Gameplay, is a amalgam of game types. The meat of the gameplay is exploration and talking to NPCS, as well as fighting and QTE’S. Which has not been seen since Dragon’s Lair. But are much better in Shenmue as they never get Ryo killed, unlike Dirk The Daring. Other game types abound, like sneaking into a warehouse, Sam Fisher style. Pet care, playing classic arcade games like Hang-On, and Space Harrier, buying sodas and toys,(for all those collectors.) and racing a motorcycle. Shenmue was also one of the first games to successfully merge different gameplay types. The only other game that comes to mind before Shenmue, was Omikron: The Nomad Soul. Shenmue does a better job then Omikron however.

The Bad
On the bad side, we may never see a Shenmue III, although there are hints of a movie, which is not the same as playing a game.

The Bottom Line
Overall Shenmue is not a game for everybody. Few games are. Interestingly enough it has enough different gameplay types to satisfy most. If you are a like me and still play your Dreamcast, give Shenmue a try.

The Good
Almost everything. The towns for example, never before was a city made so beautiful and realistic! I also like the dialogs in the game, there almost never the same. The store is so rich and beautiful. The fighting scenes are great. The interaction is perfect. Everything is perfect!

The Bad
Nothing, absolutely nothing!

The Bottom Line
Well, if you have a DC and still haven't got this game, get it! It's the only game on DC that's still very good (along with Jet Set (Grind) Radio).

The Good
The initial "wow factor" of this famously expensive, extremely hyped-up game is very high. Immediately upon firing it up you begin to bask in the warmth of its visuals. The graphics of Shenmue are quite amazing. The game presents a fluid, detailed 3D world with some very impressive effects. The only thing that blew me away more around that time was Ultima IX, but Shenmue beats it in the smoothness of its character models. There are quite a lot of people walking around the streets of Yokosuka, and they are all different. Even the most unimportant characters, casual pedestrians, have each his or her own face, body, and clothes.

You can explore the game's world at your own pace. Mind you, it's not large at all, it's just busy; but hey, you can't demand too much from a Japanese adventure. At least here you have a reasonable freedom of movement, and physical actions are finally allowed. You can look at, touch and take some objects, including those unimportant to the actual story. You can talk to any character you meet. You can practice your fighting skills or go and play classic MegaDrive games for the whole day. You follow a certain schedule, meet your girlfriend from time to time, go to work and come home to sleep. Oh, and you can feed a kitten!

I liked some of the realism injected into the gameplay to fit the deliberately prosaic plot. You need money to buy a ticket to Hong-Kong, where you hope to track down the murderer of your father. So what do you do? Descend into a dungeon, hack some monsters and see how their dead bodies miraculously turn into gold? No, you get a job and earn the money!

I didn't hate the fights and the quick time events. I didn't exactly love them, either: they were, so to say, tepid - definitely not too off-putting and not particularly exciting. Without those action segments, however, the gameplay would have been significantly more boring. You literally sigh with relief when a fight breaks the overwhelming monotony of the game.

The Bad
Alas, Shenmue is a typical example of an overhyped game. People talked about groundbreaking concepts and revolutions in game design, but those were just words: the actual game is remarkably timid, shying away from any kind of serious concept and trying to convince the player to be satisfied with casual minigaming.

I'm anything but an expert in fighting games, and that's why my experience should really count here: I won all the fights in the game without any problem at all - and I haven't even trained! There is no challenge whatsoever in Shenmue. An even bigger problem is that the fights are not really fun - they are clumsy, repetitive, and way too infrequent to make a lasting impression. Indeed, Shenmue is much more of an adventure game with fighting sequences than the other way around.

And as such, it fails completely. The Japanese used to make good action games and their RPGs can be entertaining; but the overwhelming majority of their adventures are dull and pointless, being almost entirely devoid of true gameplay. Unfortunately, Shenmue is yet another one of those Japanese adventures: it just fools us into thinking it's more than that because of its free movement and fancy 3D. Seriously now: 90% of the gameplay in Shenmue consists of walking around and participating in uniformly dull conversations. There are no puzzles or challenging tasks of any kind. It's just running from one boring character to another and asking a myriad of unnecessary questions. In fact, even that doesn't matter: regardless of what you do, after a few days you get a call from a Chinese master, which completely negates all your previous achievements in the investigation - whatever they might have been.

It's like they didn't even try. And that's the game's ultimate problem: obviously, all the effort went into designing the visually impressive world, while gameplay was clearly an afterthought. There is absolutely nothing there that hasn't been done before many times and better. People went "oh" and "ah" at the sight of Ryo opening a drawer, forgetting they could open many more drawers (and find much more useful stuff) in simple RPGs of the 16-bit era. Once the novelty of seeing familiar actions performed in 3D wears off, you are left with paper-thin gameplay taking place in what is actually a small and restricted world. We are only talking about a few streets of a quiet town where you cannot even enter most of the buildings.

Another mystery, for me, was the praise directed at the story and the cinematic direction of Shenmue. At that point I could only ask: what story? Ryo's father was killed, so Ryo meets a couple of Chinese people who help him, earns some money and goes to Hong-Kong. This is, in all seriousness, the summary of all the important events that happen in the game. To get to them you'll have to endure days upon days of aimless wandering and inane dialogues. As for the game's dramatic qualities, they have been vastly exaggerated as well: the cutscenes are impressive only because they demonstrate the power of the game's engine. Otherwise, they are completely unremarkable and further undermined by bad voice acting.

The Bottom Line
Shenmue has lavish visuals and a few nice ideas here and there, but it's hard to understand why it was considered a revolutionary game by some people. It is, at best, a mildly entertaining collection of minigames superimposed on visual splendor without any actual gameplay backbone. The sequel is indeed more dynamic and more fun to play, but I'm not at all surprised the series was discontinued: the second game has already squeezed everything possible out of the nearly empty formula that tried to pass for a breakthrough in game design.