Rez

The Good
Rez can hardly be described in words. When I first saw the game in a computer game show called GameOn in Israel (although I've come to understand it's an international show?), I was utterly confused; the game seemed to me like a chaotic collection of vectors with no apparent pattern or intention. Which brings me to the point: Rez is impossible to understand without playing it.

The game is essentially a pretty simple rail shooter, with minimal controls; the variety and uniqueness comes from the perfect blending of senses: sight, hearing and touch. The game makes absolutely no sense when you can't hear it, because it is architected so that the music, sound effects, force feedback joystick and game visuals work and respond in tandem to the player actions. Playing Rez is different every time, because what you (as the player) do is slightly different, and the game responds differently: subtle shifts in the musical patterns, sound effects that match the pattern of the background music, thump patterns on the force feedback joystick. Are you getting the drift? No? Didn't think so - because the game is impossible to explain, and has to be played to be "understood".

The graphics in Rez indeed look chaotic to the casual observer, but are in fact an orderly mess of vectors and lines. Self-proclaimed to be heavily influenced by the works of Russian artist Wasilly Kandinsky (the game is internally called Project-K), the design is a mish-mash of abstract landscapes, random shapes you could easily mistake for '50s SciFi designs and pretty wireframe decorations, all of which give the game a very Tron'ish look.

Sound is as much a hallmark of Rez as graphics: the music is fantastic, something between dance and trance tracks that set the pace for the game. The importance of the music in Rez cannot be overstated: the entire game revolves around feedback between audio, video and player. Some of the tracks in this game are extremely imaginative pieces (particularly Fear by Adam Freeland) and serve to immerse you deeper in already immersive game.

Rez does have a story, but it's very abstract and it isn't immediately obvious what's going on. Combined with the abstract graphics and minimalistic gameplay, this only serves to create an incredibly immersive atmosphere. It is fascinating that, despite the singularly simple and repetitive gamestyle, Rez is never boring and never feels repetitive. The bosses are beautiful to look at and interesting to fight, and the endgame is so... well, interesting that I wasn't even disappointed by the very short and bland ending cutscene.

The game has an incredible variety of extras and unlockable game modes, and it is amazingly challenging in its more advanced mode (I do begrudge it for not being able to defeat the Morollian mode), all of which give it amazing replay value despite its length (more on that later).

Lastly, the Japanese version of Rez came with what must be the most unique game accessory ever, on which I will not elaborate. :-)

The Bad
Rez has just one fundamental issue: it's extremely short. Even in the more difficult Beyond modes, playing it from start to finish takes between 40 and 60 minutes (depending mostly on whether or not you have to replay certain areas, and how long it takes you to defeat the bosses). But, as Penny Arcade puts it, it was the best hour of my life (well, maybe not the best best hour.)

Also, it is incredibly rare; I had to fork $40+shipping for a copy on eBay and considered myself lucky (the going rate at the moment seems to be between $30 and $60).

The Bottom Line
An incredible game which must be experienced, as opposed to seen. Completely unique, absolutely fascinating and amazingly gratifying, this is a must-have.

The Good
It's different. Groundbreaking on a top of the line platform. Reminds me of an old commodore 64 game called moondust. It's a visual and aural experience. It has cool references to network hacking as Tron did 20 years ago. And it's a Sega game.

The Bad
Hard to find. But other than that there are no complaints at all.

The Bottom Line
Start with a shooter. You lock on to multiple targets as in the classic Panzer Dragoon games. There is a hard driving techno beat in the BGM that is enhanced by your shooting. Your character evolves into stronger forms as you progress through the network. It is a bit strange and not for the platformer or sports game crowd.

The Good
The immersion. The graphics and sound combine in an incredible way to enable you to completely immerse yourself within the title - it is this factor which will determine whether you fall in love with the game or not. If you can let yourself be immersed by it you'll fall in love. If you can't, then you'll likely hate it, and not understand the attraction. The plot, though very basic, works well enough, and the way that each level (and your character) evolve is incredibly well thought out. There are no life-bars in this game - you simply change form as you are damaged or gain energy - from the base form of a sphere, through gradually more complex humanoid models, to a floating sound-form, to the final form of what appears to be a baby, the transition has to be seen to understand just how well it works.

The Bad
Nothing! But, if I hadn't been so immersed, I would likely have picked up upon the brevity of the game (though to get the "true" ending and all bonuses you're going to have to put in a huge amount of effort, so for me it wasn't an issue), and the fact that it's "only" an on-rails shooter.

The Bottom Line
An experience, and one that I can't guaruntee you'd enjoy. Approach the game with an open mind and hopefully you'll get the most out of it.